{"id":137,"date":"2017-03-23T10:10:03","date_gmt":"2017-03-23T09:10:03","guid":{"rendered":"http:\/\/www.cabinetmarechaux.com\/?p=137"},"modified":"2023-07-03T16:44:42","modified_gmt":"2023-07-03T14:44:42","slug":"fraysse-et-associes","status":"publish","type":"post","link":"https:\/\/www.cabinetmarechaux.com\/index.php\/2017\/03\/23\/fraysse-et-associes\/","title":{"rendered":"L’Eternel Printemps d’Auguste RODIN"},"content":{"rendered":"

\"\"<\/strong><\/p>\n

L’\u00e9ternel Printemps, expos\u00e9 \u00e0 Drouot<\/p>\n

Adjug\u00e9 1 550 000 euros au marteau, soit plus d’1 950 000 euros frais compris.<\/p>\n

 <\/p>\n

Voir l’article du Figaro du 22 mars : <\/p>\n

http:\/\/www.lefigaro.fr\/arts-expositions\/2017\/03\/22\/03015-20170322ARTFIG00319-un-rodin-s-envole-a-pres-de-2-millions-d-euros-a-drouot.php<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

Fraysse et Associ\u00e9s, Drouot Richelieu, Paris, salle 13                   <\/strong>
\n<\/strong><\/p>\n

 mercredi  22 mars 2017<\/strong><\/p>\n

 <\/p>\n

AUGUSTE RODIN     1840-1917<\/strong><\/span><\/p>\n

Eternel Printemps, premier \u00e9tat, taille originale – variante type B, <\/i>con\u00e7u vers 1884<\/i><\/span><\/p>\n

Epreuve en bronze patin\u00e9, sign\u00e9e \u2018Rodin\u2019 sur le c\u00f4t\u00e9 droit du rocher, porte le cachet \u2018Griffoul et Lorge, fondeurs \u00e0 Paris\u2019 \u00e0 gauche de la terrasse. Le Comit\u00e9 Rodin a indiqu\u00e9 que cette \u00e9preuve avait probablement \u00e9t\u00e9 fondue entre 1887 et 1894<\/span><\/p>\n

63,8 x 68 x 41 cm<\/span><\/p>\n

Provenance :<\/span><\/p>\n

M. Dufourny, Paris,<\/span><\/p>\n

Galerie Bielle, Compi\u00e8gne (vers 1971),<\/span><\/p>\n


\nCollection priv\u00e9e
\n<\/span><\/p>\n

R\u00e9pertori\u00e9e dans les archives du Comit\u00e9 Rodin en vue de la publication du Catalogue Critique de l\u2019Oeuvre Sculpt\u00e9 d\u2019Auguste Rodin actuellement en pr\u00e9paration \u00e0 la galerie Brame et Lorenceau sous la direction de J\u00e9r\u00f4me Le Blay, sous le num\u00e9ro 2008-1966B<\/span><\/p>\n

 <\/p>\n

\"\"<\/p>\n

\n
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\n
\n

Con\u00e7u originellement pour surplomber Les Portes de l\u2019Enfe<\/i>r, Auguste Rodin, d\u00e9cida tr\u00e8s vite de ne pas y maintenir ce groupe \u00e0 cause de la dissonance trop grande entre ces amants heureux et le tragique du sujet. Il garda seulement le torse d\u2019Ad\u00e8le<\/i>, que l\u2019on retrouve \u00e0 gauche du tympan. D\u2019apr\u00e8s Antoinette Lenormand Romain*, ce groupe, longtemps sans nom, semble avoir connu son existence propre,  d\u00e8s 1886. D\u2019abord appel\u00e9 Le<\/i> Printemps,<\/i> on voit apparaitre le titre de L\u2019Eternel Printemps<\/i> pour la premi\u00e8re fois en 1900.<\/p>\n

Il existe deux \u201c\u00e9tats\u201d ou version  de L\u2019Eternel Printemps,<\/i> un premier con\u00e7u vers 1884 et un second en 1898.<\/p>\n

– Le premier \u00e9tat<\/b>, le n\u00f4tre, con\u00e7u vers 1884<\/b>, fondu \u00e0 une dizaine d\u2019exemplaire par \u00ab\u00a0Griffoul et Lorge\u00a0\u00bb avant 1900 et pour lequel il y aura ensuite des fontes posthumes \u00e9dit\u00e9es par le Mus\u00e9e Rodin et fondues par Alexis puis Georges Rudier.<\/p>\n

– Le deuxi\u00e8me, d\u2019apr\u00e8s un marbre termin\u00e9 en 1898 et qui servit de base \u00e0 l\u2019\u00e9dition de bronzes dont Gustave Leblanc-Barbedienne obtint  de Rodin l\u2019exclusivit\u00e9 de la r\u00e9duction et de la reproduction  pour vingt ans, le 6 juillet 1898.<\/p>\n

Cette \u00e9dition, en quatre tailles, nuisit au mod\u00e8le d\u2019origine qui ne reparut qu\u2019apr\u00e8s la mort du Ma\u00eetre avec ces fontes posthumes r\u00e9alis\u00e9es par le Mus\u00e9e Rodin.<\/p>\n

Ces deux \u00e9tats diff\u00e8rent par la terrasse beaucoup plus importante dans le deuxi\u00e8me \u00e9tat et par la pr\u00e9sence d\u2019un \u00e9l\u00e9ment de v\u00e9g\u00e9tation qui soutient le bras gauche du jeune homme.<\/p>\n

Du premier \u00e9tat, le comit\u00e9 Rodin, distingue quatre variantes, (A, B, C et D).<\/p>\n

Le bronze que nous vendons correspond \u00e0 la variante type B<\/b>, caract\u00e9ris\u00e9e notamment par sa fa\u00e7ade au model\u00e9 tr\u00e8s nerveux. En 2008, le comit\u00e9 Rodin r\u00e9pertoriait, dans ses archives, au moins cinq \u00e9preuves de cette variante, toutes r\u00e9alis\u00e9es du vivant de l\u2019artiste.<\/p>\n

* voir Antoinette Lenormand Romain, Rodin et le bronze, catalogue des oeuvres conserv\u00e9es au Mus\u00e9e Rodin, Paris, 2007, Tome I, p.331 \u00e0 337<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

L’\u00e9ternel Printemps, expos\u00e9 \u00e0 Drouot Adjug\u00e9 1 550 000 euros au marteau, soit plus d’1 950 000 euros frais compris.   Voir l’article du Figaro du 22 mars :  http:\/\/www.lefigaro.fr\/arts-expositions\/2017\/03\/22\/03015-20170322ARTFIG00319-un-rodin-s-envole-a-pres-de-2-millions-d-euros-a-drouot.php … <\/p>\n

Lire la suite de\u00ab\u00a0L’Eternel Printemps d’Auguste RODIN\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":123,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-137","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ventes-paris"],"yoast_head":"\nL'Eternel Printemps d'Auguste RODIN - Cabinet Mar\u00e9chaux<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cabinetmarechaux.com\/index.php\/2017\/03\/23\/fraysse-et-associes\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L'Eternel Printemps d'Auguste RODIN - 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